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Simon Boccanegra - Theater La Scala Milan tickets

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Simon Boccanegra - Theater La Scala Milan

Venue: Teatro alla Scala Milano

 
Via Filodrammatici 2
20121 Mailand
Italien
 
 
All dates
Season 2018
 

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Next performance (see season calendar above for other dates)
Simon Boccanegra - Theater La Scala Milan
Thu 08 February 2018
Category 1. Seats side by side
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20:00 Teatro alla Scala 360 € Add to cart
 
 
Simon Boccanegra - Theater La Scala Milan
Sat 10 February 2018
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20:00 Teatro alla Scala 360 € Add to cart
 
 
Simon Boccanegra - Theater La Scala Milan
Tue 13 February 2018
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20:00 Teatro alla Scala 360 € Add to cart
 
 
 
Event details
 
Composer: Giuseppe Verdi

Synopsis

 

Simon Boccanegra

 

ACT I. Scene 1. Amelia waits for her lover Gabriele in the seaside garden of the Grimaldi Palace (“Come in quest’ora bruna”). He arrives, and she warns him against the dangers of plotting against the Doge, and turns his thoughts to love. Gabriele learns from Amelia that the Doge wants her to marry his courtier Paolo. Gabriele resolves to obtain the blessing of her guardian, Andrea. The young man is not dissuaded by Andrea’s revelation that Amelia is not a true Grimaldi but an orphan of unknown background. Determined to overthrow the Doge, the men leave just as a fanfare announces Boccanegra, who tells Amelia he has pardoned her foster brothers. Impressed by his generosity, she admits her love for Gabriele and describes her lonely past. Boccanegra, hearing the story, produces a locket with a likeness of the dead Maria and finds that Amelia has an identical locket. Boccanegra realizes that Amelia is his long-lost daughter Maria, and they embrace (“Figlia! a tal nome io palpito”). When the Doge tells Paolo to forget his dream of marrying Amelia, Paolo plots with Pietro to kidnap her.

 

Scene 2. In the Council Chamber of the Doge’s Palace, during a debate about a peace treaty with Venice, angry shouts are heard from the street. Gabriele, chased indoors by the mob, has killed a man who was attempting to abduct Amelia. He accuses Boccanegra of plotting the abduction. As Gabriele tries to stab the Doge, Amelia intervenes, pleading for the life of Gabriele, who suspects her of being Boccanegra’s mistress. Amelia describes her abduction to the Council, hinting at Paolo’s complicity, and Boccanegra urges peace for the warring factions (“Plebe! Patrizi!”). He commands Paolo to curse the man behind the kidnapping, and the terrified Paolo is forced to obey, even though he is cursing himself.

 

ACT II. In the Doge’s chambers at night, Paolo sends Pietro to free Gabriele and Andrea from prison. Remembering the curse, he pours poison into Boccanegra’s water pitcher (“Me stesso, ho maledetto!”). When the two prisoners enter, Paolo tries to convince the old man to assassinate the Doge, inciting Gabriele with insinuations about the Doge’s relationship with Amelia. Gabriele raves with jealousy (“Sento avvampar nell’anima”) until Amelia enters; before she can explain, Boccanegra is heard approaching. Gabriele hides while Amelia asks the Doge to pardon her lover; otherwise, she will die on the scaffold with him. Boccanegra agrees on the condition that Gabriele leave the conspirators. Left alone, the weary ruler drinks the poisoned water. He falls asleep. Gabriele, who has heard nothing of the preceding conversation, enters and is about to stab Boccanegra when Amelia rushes in and stops him. The Doge awakens and at last reveals to Gabriele that he is Amelia’s father. He forgives the repentant Gabriele while Amelia prays to her mother in heaven. A rebellious mob gathers outside, and Gabriele says he will pacify them or die in Boccanegra’s defense. The Doge offers him Amelia’s hand in marriage as his reward.

 

ACT III. Genoa is celebrating Boccanegra’s victory over the rebels. Andrea, set free, encounters Paolo on his way to execution. Paolo admits that he poisoned the Doge. A herald announces that the celebrations must cease in honor of the fallen heroes. Boccanegra staggers in, mortally ill. Andrea reveals his identity as Fiesco, and learns from the Doge that Amelia is his granddaughter. The old man weeps at learning the truth too late and tells Boccanegra of the vengeful Paolo’s poison. Dying, the Doge blesses the young couple, naming Gabriele his successor (“Gran Dio, li benedici”). Fiesco sadly announces Boccanegra’s death to the people.

 
Program details
 

Teatro alla Scala Chorus and Orchestra 

Teatro alla Scala and Staatsoper Unter den Linden of Berlin Production

 

From 18 June to 8 July 2016

Running Time: 2 hours 57 minutes intermission included

Sung in Italian

 

DIRECTION

Conductor Myung-Whun Chung
Staging Federico Tiezzi
Sets Pier Paolo Bisleri
Costumes Giovanna Buzzi

 

CAST

Simone Leo Nucci (18, 22, 25, 28 Jun; 1 Jul.)
  Plácido Domingo (5, 8 Jul.)
Jacopo Fiesco Dmitri Beloselskiy
Paolo Albiani Massimo Cavalletti
Amelia Carmen Giannattasio (18, 22, 25, 28 Jun; 1 Jul.)
  Krassimira Stoyanova (5, 8 Jul.)
Gabriele Adorno Giorgio Berrugi

 

Season 2017/2018


Conductor: Myung-Whun Chung 
Staging: Federico Tiezzi
Sets    Pier: Paolo Bisleri
Costumes: Giovanna Buzzi
Lights: Marco Filibeck


Simone: Leo Nucci
Amelia: Krassimira Stoyanova
Jacopo Fiesco: Dmitri Belosselskiy
Gabriele Adorno: Fabio Sartori
Paolo Albiani: Dalibor Jenis
Pietro: Ernesto Panariello

 
Venue
 
Teatro alla Scala Milano
 

La Scala (abbreviation in Italian language for the official name Teatro alla Scala) is a world-renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre alla Scala (Nuovo Regio Ducale Teatro alla Scala). The premiere performance was Antonio Salieri's Europa riconosciuta.

Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala during the past 200 years. Today, the theatre is still recognised as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet and La Scala Theatre Orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (Italian: Accademia Teatro alla Scala), which offers professional training in music, dance, stage craft and stage management.
 

La Scala's season traditionally opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end before midnight, and long operas start earlier in the evening when necessary.

The Museo Teatrale alla Scala (La Scala Theatre Museum), accessible from the theatre's foyer and a part of the house, contains a collection of paintings, drafts, statues, costumes, and other documents regarding La Scala's and opera history in general. La Scala also hosts the Accademia d'Arti e Mestieri dello Spettacolo (Academy for the Performing Arts). Its goal is to train a new generation of young musicians, technical staff, and dancers (at the Scuola di Ballo del Teatro alla Scala, one of the Academy's divisions).

 
 
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