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Elektra tickets

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Elektra

Venue: Teatro alla Scala Milano

 
Via Filodrammatici 2
20121 Mailand
Italien
 
 
All dates
Season 2018
 

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Next performance (see season calendar above for other dates)
Elektra
Wed 14 November 2018
Category 1. Seats side by side
Hour Hall Price Tickets Buy
20:00 Teatro alla Scala 340 € Add to cart
 
 
Elektra
Sun 18 November 2018
Category 1. Seats side by side
Hour Hall Price Tickets Buy
20:00 Teatro alla Scala 340 € Add to cart
 
 
Elektra
Fri 23 November 2018
Category 1. Seats side by side
Hour Hall Price Tickets Buy
20:00 Teatro alla Scala 340 € Add to cart
 
 
 
Event details
 
Composer: Richard Strauss

Synopsis


From a production of Elektra at the Royal Swedish Opera in 2009: Marianne Eklöf as Klytaemnestra surrounded by members of the opera house choir.

 

Before the opera begins

After the sacrifice of Iphigenia on the ruse that she is to be married, Klytaemnestra has come to hate her husband Agamemnon, who goes off to war against Troy. After his return, with the help of her paramour Aegisth, she murders her husband and now is afraid that her crime will be avenged by her other children, Elektra, Chrysothemis and their banished brother Orest. Elektra has managed to send her brother away while remaining behind to keep her father's memory alive, but all the while, suffering the scorn of her mother and the entire court.

 

The action

Five servants try to wash the courtyard of the Palace in Mycenae. While they do their work, they ask where can Elektra be, and she emerges from the shadows with a wild look on her face. The servants continue commenting how she came to be in that state and talk about how they taunt her only to receive insults from her. Only one servant shows mercy for her, but she is taken away by the overseer to be flogged.

Elektra comes back for her daily ritual in memory of her father, who upon his return from Troy was killed while bathing by Klytaemnestra and Aegisth and dragged out into the courtyard. Elektra now starts imagining the day when her father will be avenged and then of the ensuing celebration in which she will lead the triumphal dance.

Chrysothemis leaves the Palace but, unlike Elektra, she is meek and accommodating, and has remained on good terms with Klytaemnestra and Aegisth; she enjoys the privileges that come with being a Princess. She warns her sister that their mother plans to lock Elektra in a tower, but she is rebuffed. Chrysothemis does not wish to go on living a half-death in her own house: she wants to leave, marry and raise children. As loud sounds are heard inside, Elektra mocks her sister that it is her wedding party. In reality, Klytaemnestra has yet again been awakened by her own nightmares of being killed by Orest. Chrysothemis begs Elektra to leave, wishing only to speak to her mother. Followed by her retinue, Klytaemnestra comes to make another sacrifice to appease the gods, but she stops at the sight of Elektra and wishes that she were not there to disturb her. She asks the gods for the reason for her burdens, but Elektra appeases her by telling her mother that she is a goddess herself. Despite the protests of the Trainbearer and Confidante, Klytaemnestra climbs down to talk to Elektra.

Klytaemnestra confides to her daughter that she has been suffering nightmares every night and that she still has not found the way to appease the gods. But, she claims, once that happens, she will be able to sleep again. Elektra teases her mother with little pieces of information about the right victim that must be slain, but she changes the conversation to her brother and why he is not allowed back. To Elektra’s horror, Klytaemnestra says that he has become mad and keeps company with animals. She responds that this is not true and that all the gold that her mother has sent was not being used to support her son but to have him killed.

Then Elektra reveals who is to be the actual victim: it is Klytaemnestra herself. She goes on to describe how the gods must be appeased once and for all. She must be awakened and chased around the house just like an animal that is being hunted. Only when she wishes that all was over and after envying prisoners in their cells, she will come to realize that her prison is her own body. At that time, the axe with which she killed her husband and which will be handed to Orest by Elektra, will fall on her. Only then the dreams will stop. The Trainbearer and Confidante enter and whisper to her.

Klytaemnestra laughs hysterically and, mocking Elektra, leaves. Elektra wonders what has made her mother laugh. Chrysothemis comes to tell her: two messengers have arrived with the news that Orest is dead, trampled by his own horses. As a young servant comes out of the house to fetch the master, he trips over Elektra and Chrysothemis. Elektra does not relent and a terrified Chrysothemis listens as her sister demands that she help her to avenge their father, Elektra goes on to praise her sister and her beauty, promising that Elektra shall be her slave at her bridal chamber in exchange for the assistance in her task. Chrysothemis fights off her sister and flees. Elektra curses her.

Determined to do it alone, she digs for the axe that killed her father, but is interrupted by a mysterious man who comes into the courtyard. She hears that he is expecting to be called from within the Palace because he has a message for the lady of the house. He claims to be a friend of Orest, and says that he was with him at the time of his death. Elektra grieves and the man guesses that she must be a blood relative of Orest and Agamemnon. Then, taken aback, she recognizes him: it is Orest who has come back in disguise. Elektra is initially ecstatic, but also ashamed of what she has become and how she has sacrificed her own royal state for the cause.

Orest’s Tutor comes and interrupts the siblings; their task is dangerous and anything can jeopardize it. The Trainbearer and Confidante come out of the Palace and lead Orest in. A shout is heard from within the Palace, then a grim moan. Elektra smiles brightly, knowing that Orest has killed his mother. Aegisth arrives, he is ecstatic to have heard that Orest is dead and wishes to speak with the messengers. Elektra happily ushers him inside the palace. As Aegisth screams and calls for help, Elektra replies: “Agamemnon can hear you.”

Chrysothemis comes out of the Palace stating that Orest is inside and that he has killed Klytaemnestra and Aegisth. A massacre has begun with Orest’s followers killing those who supported Aegisth and the Queen. Elektra is ecstatic, Chrysothemis goes into the Palace to be with her brother, and Elektra begins to dance. As she reaches the climax of her dance, she falls to the ground: Elektra is dead. Banging on the Palace door, Chrysothemis calls for her brother. There is no answer.

 
Program details
 

Richard Strauss


Running Time: 1 hour 45 minutes
Teatro alla Scala Chorus and Orchestra
Teatro alla Scala Production in coproduction with Festival d'Aix en Provence; Metropolitan Opera, New York; Finnish National Opera, Helsinki; Staatsoper Under den Linden, Berlin; Gran Teatre del Liceu, Barcelona

 
Conductor: Christoph von Dohnányi
Staging: Patrice Chéreau
Sets: Richard Peduzzi
Costumes: Caroline De Vivaise


Elektra: Ricarda Merbeth
Klytaemnestra: Waltraud Meier
Chysothemis: Regine Hangler
Orest: Michael Volle
Aegisth: Roberto Saccà

 
Venue
 
Teatro alla Scala Milano
 

La Scala (abbreviation in Italian language for the official name Teatro alla Scala) is a world-renowned opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the New Royal-Ducal Theatre alla Scala (Nuovo Regio Ducale Teatro alla Scala). The premiere performance was Antonio Salieri's Europa riconosciuta.

Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala during the past 200 years. Today, the theatre is still recognised as one of the leading opera and ballet theatres in the world and is home to the La Scala Theatre Chorus, La Scala Theatre Ballet and La Scala Theatre Orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy (Italian: Accademia Teatro alla Scala), which offers professional training in music, dance, stage craft and stage management.
 

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